TY - JOUR
T1 - Television reshaped by big data
T2 - impacts and implications for Netflix-like platforms in the age of dataism
AU - Quico, Célia
N1 - International Journal of Film and Media Arts
PY - 2019
Y1 - 2019
N2 - Television was born analogue, almost 100 years
ago: first broadcast across airwaves, then delivered via analogue cable and satellite, to reach
millions and millions of people around the world.
Like many other industries, television has been
under the process of digital transformation, integrating digital technologies in all parts of its
value chain, from content production to content
distribution. Today, inseparable from the digital
transformation process is the large, diverse and
ever-growing volume of data created, captured,
analyzed and applied – also known as Big Data.
Television is being reshaped by Big Data, with
newcomers to the industry such as Netflix leading the way, for others to follow - and for others
to fail. The concepts of Platform Capitalism,
Surveillance Capitalism and Dataism may illuminate many of the challenges faced by the main
stakeholders in the television industry, with implications that go much beyond this field. Lastly,
Netflix’s impact on the production, distribution
and consumption of audiovisual content is still
to be understood in a small market such as
Portugal: the current exploratory paper is also
meant to be the basis of future research in Portugal about internet-distributed television.
AB - Television was born analogue, almost 100 years
ago: first broadcast across airwaves, then delivered via analogue cable and satellite, to reach
millions and millions of people around the world.
Like many other industries, television has been
under the process of digital transformation, integrating digital technologies in all parts of its
value chain, from content production to content
distribution. Today, inseparable from the digital
transformation process is the large, diverse and
ever-growing volume of data created, captured,
analyzed and applied – also known as Big Data.
Television is being reshaped by Big Data, with
newcomers to the industry such as Netflix leading the way, for others to follow - and for others
to fail. The concepts of Platform Capitalism,
Surveillance Capitalism and Dataism may illuminate many of the challenges faced by the main
stakeholders in the television industry, with implications that go much beyond this field. Lastly,
Netflix’s impact on the production, distribution
and consumption of audiovisual content is still
to be understood in a small market such as
Portugal: the current exploratory paper is also
meant to be the basis of future research in Portugal about internet-distributed television.
KW - COMUNICAÇÃO
KW - TELEVISÃO
KW - BIG DATA
KW - AUDIOVISUAL
KW - COMMUNICATION
KW - TELEVISION
KW - BIG DATA
KW - AUDIOVISUAL
UR - http://hdl.handle.net/10437/9972
U2 - 10.24140/ijfma.v4.n1.04
DO - 10.24140/ijfma.v4.n1.04
M3 - Article
SN - 2183-9271
VL - 4
SP - 48
EP - 55
JO - International Journal of Film and Media Arts
JF - International Journal of Film and Media Arts
IS - 1
ER -