Looking into Kiluanji Kia Henda and Bruno Moraes Cabral 'Terra (In)Submissa': poetical narratives as political means

Henrique Godoy

doi:10.60543/csm.v67i23.9489

Looking into Kiluanji Kia Henda and Bruno Moraes Cabral 'Terra (In)Submissa': poetical narratives as political means

Título traduzido da contribuição: Observando Terra (In)Submissa de Kiluanji Kia Henda e Bruno Moraes Cabral: narrativas poéticas como meios políticos

Henrique Godoy

FCSEA - Faculdade de Ciências Sociais, Educação e Administração

Resultado de pesquisa › revisão de pares

2 Transferências (Pure)

Resumo

Neste artigo abordamos algumas questões que permeiam a não tão clara relação entre arte contemporânea e Sociomuseologia. A cultura de massas e as instituições comercialmente orientadas podem ter criado um imenso vale entre estas duas disciplinas que se tornou difícil de ultrapassar numa perspectiva social – abafando memórias conflitantes e afastando narrativas locais dos debates centrais. A identificação de premissas partilhadas entre os museus socialmente engajados e os artistas politicamente posicionados é uma tentativa de situá-los no âmbito Sociomuseológico. Ao analisarmos o curta-metragem Terra(In)Submissa, de Kiluanji Kia Henda e Bruno Moraes Cabral, fundamentamos nosso argumento em como a abordagem poética e política de tensões e traumas sociais – como o passado colonial – são manifestações artísticas que podem ser alvo de futuras investigações.
Palavras -Chave: Filme; Arte; Colonialismo; Museologia

Título traduzido da contribuição	Observando Terra (In)Submissa de Kiluanji Kia Henda e Bruno Moraes Cabral: narrativas poéticas como meios políticos
Idioma original	Inglês
Páginas (de-até)	143-152
Revista	Cadernos de Sociomuseologia
Volume	67
Número de emissão	23
DOIs	https://doi.org/10.60543/csm.v67i23.9489
Estado da publicação	Publicadas - 11 jun. 2024

Keywords

MUSEOLOGIA
SOCIOMUSEOLOGIA
ARTE
FILMES
COLONIALISMO
ARTE CONTEMPORÂNEA

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10.60543/csm.v67i23.9489

Looking into Kiluanji Kia Henda

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http://hdl.handle.net/10437/15203

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title = "Looking into Kiluanji Kia Henda and Bruno Moraes Cabral 'Terra (In)Submissa': poetical narratives as political means",

abstract = "In this article we address a few questions that pervade the unclear relation between contemporary art and Sociomuseology. Mass culture and commercially oriented institutions may have created a distant gap between these two disciplines that became challenging to overcome in a social perspective – muffling conflictive memories and taking local narratives away from central debates. The identification of shared premisses between the socially engaged museums and politically positioned artists is attempt to place them under the Sociomuseological scope. By Analysing the short film Terra(In)Submissa by Kiluanji Kia Henda and Bruno Moraes Cabral, we base our argument on how poetical and political addressing of social tensions and traumas – such as the colonial past – are artistic manifestations that can be target of further research.Keywords English: Film; Art; Colonialism; Museology",

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author = "Henrique Godoy",

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T1 - Looking into Kiluanji Kia Henda and Bruno Moraes Cabral 'Terra (In)Submissa'

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AU - Godoy, Henrique

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Y1 - 2024/6/11

N2 - In this article we address a few questions that pervade the unclear relation between contemporary art and Sociomuseology. Mass culture and commercially oriented institutions may have created a distant gap between these two disciplines that became challenging to overcome in a social perspective – muffling conflictive memories and taking local narratives away from central debates. The identification of shared premisses between the socially engaged museums and politically positioned artists is attempt to place them under the Sociomuseological scope. By Analysing the short film Terra(In)Submissa by Kiluanji Kia Henda and Bruno Moraes Cabral, we base our argument on how poetical and political addressing of social tensions and traumas – such as the colonial past – are artistic manifestations that can be target of further research.Keywords English: Film; Art; Colonialism; Museology

AB - In this article we address a few questions that pervade the unclear relation between contemporary art and Sociomuseology. Mass culture and commercially oriented institutions may have created a distant gap between these two disciplines that became challenging to overcome in a social perspective – muffling conflictive memories and taking local narratives away from central debates. The identification of shared premisses between the socially engaged museums and politically positioned artists is attempt to place them under the Sociomuseological scope. By Analysing the short film Terra(In)Submissa by Kiluanji Kia Henda and Bruno Moraes Cabral, we base our argument on how poetical and political addressing of social tensions and traumas – such as the colonial past – are artistic manifestations that can be target of further research.Keywords English: Film; Art; Colonialism; Museology

KW - MUSEOLOGY

KW - SOCIOMUSEOLOGY

KW - ART

KW - FILMS

KW - COLONIALISM

KW - CONTEMPORARY ART

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DO - 10.60543/csm.v67i23.9489

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ER -

Looking into Kiluanji Kia Henda and Bruno Moraes Cabral 'Terra (In)Submissa': poetical narratives as political means

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